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Music Piracy Or A Permanent Passive Revolution

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Music Piracy Or A Permanent Passive Revolution

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dc.contributor.author Neely, Kevin D en_US
dc.date.accessioned 2007-09-17T17:07:25Z
dc.date.available 2007-09-17T17:07:25Z
dc.date.issued 2007-09-17T17:07:25Z
dc.date.submitted May 2007 en_US
dc.identifier.other DISS-1707 en_US
dc.identifier.uri http://hdl.handle.net/10106/553
dc.description.abstract The goal of this thesis is to examine a classic interpretation of Antonio Gramsci's notion of hegemony in the modern era and the emergence of counter-hegemonic forces through technology. The individualization of modern computers and related products, combined with the extreme popularity of file-swapping and social-networking websites (i.e. Napster, KaZaA, MySpace and the brand new YouTube) has completely altered the way the music industry conducts its business and has erased its hegemony over the creation, distribution and profit made from the sale of music. What makes this relationship between an industry and technology specifically different and worthy of our interest is that the anonymous nature of the Internet has not allowed a new consensus to be reached following Gramsci's concept of the passive revolution. Competing historical blocs are being created and abandoned with incredible speed, fostering a continuing emergence of counter-hegemony and a permanent state of passive revolution. en_US
dc.description.sponsorship Agger, Ben en_US
dc.language.iso EN en_US
dc.publisher Sociology en_US
dc.title Music Piracy Or A Permanent Passive Revolution en_US
dc.type M.A. en_US
dc.contributor.committeeChair Agger, Ben en_US
dc.degree.department Sociology en_US
dc.degree.discipline Sociology en_US
dc.degree.grantor University of Texas at Arlington en_US
dc.degree.level masters en_US
dc.degree.name M.A. en_US
dc.identifier.externalLink https://www.uta.edu/ra/real/editprofile.php?onlyview=1&pid=1410
dc.identifier.externalLinkDescription Link to Research Profiles

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